1. Practice At Home

The more people you are the more important this gets. If you are just two musicians hanging out and “practicing”, wasting time to remember how a song was played is a smaller problem than when there are four or more people trying to get something going on the few times all of them are available.

In general practice at home as much as you possibly can. Don’t hold up rehearsing with questions and problems you don’t need the other members to solve to, means: Know the songs and your lyrics already and try to reach those great and essential moments that only a band together can form!

2. Know When To Interrupt And When To Shut Up

The key to successfully working with others on creative tasks is to interact and communicate the right way. The flow of ideas is – once established – a tender being so while your impulse through thoughts might help, it is often necessary to take a breath and let others also make their contribution to the process.

Once you had a couple of successfull sessions with your colleagues there slowly develops a routine: a special way to find and maintain creative potential. Keep things balanced and learn also when it’s time to prevent the band from following dead-ends.

3. Have Fun And Keep Motivation High

The more motivated you and your band members are the faster you will accomplish whatever you have chosen as your objective. When you have fun practising and working on your song ideas a whole night will not be wasted but mostly result in valuable results.

So if you are one of the more ambitious members of your band project (and as you are reading this you might be) try to get the others infected. Try to make work fun to keep yourself going. How? In diversifying for example.

Diversifying means: When you sit in your home studio and have been mixing a song idea for a few hours there might come a time where you feel that your useful ideas decline and what you’re doing is just fishing in the blind. Throwing knobs around, changing sounds and parts of the arrangement without much thought. And the worst part: your ears are tired!

The important thing here is to stop mixing because your song would probably just suffer from continuing anyway and your time is spent much better otherwise. Instead grab an instrument and get your motivation back. Or if you need to recover your ears, get some marketing jobs done. Work on your Myspace or Facebook page, talk about the release of your first single or organize things around a gig.

Think about why being part of this project is great and focuss on it. It’s even allowed to dream for a few minutes as long as you get back to work afterwards. As long as you have enough possibilities to keep yourself in the game – doing something useful for you project -  you will see a positive outcome.

4. Take Notes And Record Ideas

You might think of this one as an annoying delay in your creative ways, but once you experience the loss of  great ideas because you just can’t remember, you will agree with me. Take a few short notes to easily remember all those things you might forget in the period of a few weeks. Try to find a system that works for you and write down whatever you need: chords, notes, rhythms, lyrics, arrangements, etc. (I tend to think of rhythm as the thing I mostly can’t remember correctly but you might have another focus).

Recording your idea is often a faster and easier way to make sure you remember what a song was all about the next time you practice. You don’t need a high quality audio recording, just make sure the essential parts are there and you will be able to analyze the recording. If you use special techniques or unusual elements make sure to use a combination of notes and recordings to prevent yourself from future guessing.

Another great aspect of recording your song idea is to have something “finished”. It’s the first version of your future song and don’t disrespect it for the faults it still has. Because these faults and flaws are your knowledge about what has to be different in the final version. Use it! A lot of good songs develop through eliminating all the “wrong” elements. As long as you can analyze the parts you don’t like and how you could erase or change/improve them, your song will become better and better.

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I hope to post a video about how you can analyze and improve your songs ideas through revision soon and will link it to this article. Until then, tell me how and how often you record song ideas and what other tips you have for rehearsing with a band!

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One of the most important elements for your home recording efforts is a decent microphone. While a few decades ago recording your music in studio quality would cost as much as a car, high-quality microphones today start around 80$.

The microphone I choose to recommend to beginners is one I use regularly myself because some of my friends own it (bought after my recommendation). The Audio Technica AT2020 is a big-diaphragm condenser microphone, so its main purpose is to record acoustic instruments, vocals or sounds in a studio environment. On the stage background noise and interference will mostly prevent using this microphone because it’s just to sensitive.

Concerning recording quality you can’t expect wonders in this price region but be assured to get some value and if you know how to use this microphone and how to mix the result you will not be disappointed. In fact one or two microphones like the AT2020 are everything a lot of artists will ever need to record their songs successfully.

Condenser microphones normally need a 48V phantom power supply – either from your audio device or for example from a mixer. If you don’t have equipment that provides you with phantom power or never even heard about the term, you can buy the USB version of the AT2020 which draws the required power from your laptop or pc so you don’t need any other equipment.

If you have an audio card with 48V phantom power on the other hand – or plan to buy one (for latency and recording quality reasons f.e.) you should check out the “normal” version of the Audio Technica AT2020. For home recording your songs this is my favourite low cost allrounder to get you started!

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I’m observing some of the bulletin boards out there where musicians discuss issues related to the current revolution of the music industry. HarmonyCentral is one of the bigger ones where a lot of beginners as well as professionals come together and you can get a feeling for what’s happening around the globe.

The question how to successfully market a band is one of those regularly found in forums and with Facebook getting stronger and stronger, many people are happy to finally have a reason to leave Myspace. But I think this is a big mistake!

Yes, Myspace can been a place full of nasty little kids, bad html and blinking graphics. Still, are millions of possible listeners not worth a few hours of your work and ambition? While Facebook and other social networks are catching up with Myspace it remains one of the big players – especially when it comes to bands.

So if you want to emphasize on using Facebook as your main social network that’s fine. But it’s worth to keep Myspace on your radar, to put up your  band page and direct the visitors to your Facebook page or even better your own blog or website. Remember issues like branding through design aylout, logo/band photo and fonts and you will have another search machine optimized net to bring in new listeners and possible fans!

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Why Too Many Ideas In One Song Are No Good Idea

November 12, 2009 SONGWRITING

In the last few weeks I had a rough patch with producing my music. As exciting a new flat and a new episode in your life can be, it didn’t do any good for my musical ambitions – until yesterday. Maybe it was the point when you feel you’ve arrived somewhere. Ideas everywhere I spent [...]

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Upcoming First Video Tutorial

November 12, 2009 SELFRELEASEYOURMUSIC

Even though still not a lot of people have found this blog I started a poll about the topic for first video tutorial that should air next Tuesday. What field of music are you most interested in and want to learn more about? Pick your favourite in the poll on the right side until Sunday [...]

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What Kind Of Musician Do You Want To Be?

November 10, 2009 BAND MANAGEMENT

0. AMATEUR MUSICIAN
You might be making music already or maybe you don’t even play a real instrument. It doesn’t matter where you start from – as long as you have a strong interest, passion and energy for the field of music, your chances are good to become a “real musician”. What this might mean to [...]

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Using Social Networks For Online Music Marketing – Basic Setup

November 10, 2009 ONLINE MARKETING

The internet provides almost endless opportunities to reach your audience so the important thing is to develop a basic concept that can be easily extended after your first steps in online marketing your music. Probably you’ll want to start with those services that have the highest user numbers. While in 2006 Myspace dominated with about [...]

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4 Tips For Mixing Dead Ends

November 9, 2009 MUSIC PRODUCTION

Most of us have sat in front of our sequencer – mixing a song that just won’t work the way we want it to. Here are 4 short examples what the reason might be and how to overcome it:
1. Lacking Skills
Maybe you just don’t know enough about mixing.  There are plenty of free ressources in [...]

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Dealing With Perfectionism

November 9, 2009 LEAD ARTICLES

You may be jamming with your band mates and nothing you find is good enough. Or you have been sitting in front of your computer mixing a song and no matter what you do, everything just seems to simple, banal and mundane. A lot of musicians deal with this problem, mostly those who have been [...]

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A Fresh Start: “Riot In A Cage” Becomes “selfreleaseyourmusic.com”

November 7, 2009 SELFRELEASEYOURMUSIC

Welcome to selfreleaseyourmusic.com!
I moved into my new apartment and the situation is still quite chaotic. Yesterday I finally managed to gain internet access however so everything should be ready for a fresh start.
As some of you might hav noticed I ported the blog from riotincage.blogspot.com to this new domain and got my own hosting, so [...]

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